BERIO SEQUENZA XII PDF

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This page was last edited on 7 Juneat Sequenza XII is the longest of all the Sequenzeat nineteen minutes.

In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities. Stradivarius 1CD References [ edit ] Osmond-Smith, David. Retrieved from ” https: In a live performance, the sequemza can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause.

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Share on facebook twitter tumblr. Various performers Noriko Shimada, bassoon. Views Read Edit View history.

Luciano Berio: Sequenza XII

The piece is strung along a backbone of glissandi, with, as is typical of Berio ‘s monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures. This article about a classical composition is a stub.

By using this site, you agree to the Terms of Use and Privacy Policy. Annuario in divenire 1. Genre Chamber Music Classical. Discography [ edit ] Luciano Berio.

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Sequenza XII (author’s note)

Berio ‘s Sequenza series for solo instruments can be seen as a collaborative process not only in the sequenzs of these works but in the compositional process itself. Un re in ascolto Cronaca del luogo.

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Sequenza XII – Wikipedia

From Wikipedia, the free encyclopedia. Compositions by Luciano Berio compositions Compositions for bassoon Music dedicated to ensembles or performers Classical composition stubs. Stefanie Liedtke, bassoon and Lorenda Ramou, piano “Breathless”: Deutsche Grammophon 3CDs Folk Songs Sinfonia A-Ronne. Naxos 3CDs You can help Wikipedia by expanding it. Ensemble InterContemporain members Pascal Gallois, bassoon. Sequenza XII is a composition for solo bassoonwritten by Luciano Berio in Osmond-Smithand part of a series of fourteen Sequenze composed between and In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through the instrument while playing Osmond-Smith ; Pedone AllMusic Featured Composition Noteworthy.

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Streams Videos All Posts. Various performers Kenneth Munday, bassoon. Jazz Latin New Age. All beril with unsourced statements Articles with unsourced statements from December All stub articles.